[Originally published in Movietone News 50, June 1976] “I wanted the camera to tilt slightly in one direction and the picture to tilt in another. So when it evens out, we have death. I wanted something weird in the beginning, but when it’s over, dead men are usually horizontal, and everything is simple, on one […]
The post “When it’s night time … “: Myth and the Geography of the Unconscious in ‘I Shot Jesse James’ appeared first on Parallax View.